清代康熙时，久居河间府的绿林好汉窦尔墩，在比武时被黄三太用暗器所伤，羞愤之下到连环套聚义，仇恨始终铭记于心。10多年后，窦听说梁九公代替康熙皇帝乘骑皇帝御赐宝马到口外行围射猎，这个消息勾起窦尔墩的强烈回忆，他与众兄弟在山寨上大摆酒宴，并把来此山寨的前因向大家和盘托出。随后独自下山，夜入御营盗走了御马，又将一封书信留下，信中言明盗马之事乃是黄三太所为，妄图借官府之手加害黄三太，以报当初比武受到暗算之仇。

清代康熙时，久居河间府的绿林好汉窦尔墩，在比武时被黄三太用暗器所伤，羞愤之下到连环套聚义，仇恨始终铭记于心。十多年后，窦听说梁九公代替康熙皇帝乘骑皇帝御赐宝马到口外行围射猎，这个消息勾起窦尔墩的强烈回忆，他与众兄弟在山寨上大摆酒宴，并把来此山寨的前因向大家和盘托出。随后独自下山，夜入御营盗走了御马，又将一封书信留下，信中言明盗马之事乃是黄三太所为，妄图借官府之手加害黄三太，以报当初比武受
到暗算之仇。
During the reign of Emperor Kangxi (1662－1732AD) of the Qing Dynasty (1636－1911AD), Dou Erdun, a heroic outlaw dwelling in Hejian, is wounded by Huang Santai using a concealed weapon.Humiliated and full of resentment, he assembles a group of people in Lianhuantao in preparation for a future uprising, and awaits his chance to exact revenge. Ten years pass and one day Dou hears that Liang Jiugong, on behalf of Emperor Kangxi, will ride an imperial horse to Kouwai (present-day Inner Mongolia) for hunting, which reminds him of his past grievance. That evening, when he is wining and dining with his comrades, he tells the whole story of his coming to this mountain fastness. He then goes down the mountain and, in the middle of the night, enters the camp and steals the imperial horse, leaving behind a letter stating that the imperial horse was stolen by Huang Santai, in an audacious plan to avenge himself on Huang by having the wrath of the emperor descend on Huang for the theft.

《盗御马》导读 Guide to Stealing the Imperial Horse..........................1
壹 剧情梗概 I Synopsis.......................................................3
贰 剧本文学 II Plot..........................................................7
叁 主演简介 III Brief Introduction to the Performers.........................11
肆 主要艺术特点赏析 IV Major Artistic Characteristics.......................17
伍 音乐伴奏 V Music.........................................................23
陆 主要人物造型及道具 VI Costuming and Props................................29
《盗御马》曲谱与曲词 Music Score and Transcript of Stealing the Imperial Horse......................................................................35
壹 曲谱 I Music Score.......................................................37
贰 曲词 II Transcript.......................................................47
京剧艺术概述 Introduction to the Art of Peking Opera........................67
壹 京剧的简史 I A Brief History of Peking Opera.............................71
贰 京剧的艺术特点 II The Artistic Features of Peking Opera..................75
叁 京剧的行当与流派 III Role Types and Schools in Peking Opera..............79
肆 京剧的音乐和声腔 IV Music and Modes in Peking Opera.....................115
伍 京剧的声韵和念白 V Theatrical Speech in Peking Opera....................145
陆 京剧的服装 VI Costuming.................................................149
柒 京剧的面部化妆 VII Facial Makeup........................................169
捌 京剧的道具和舞台 VIII Properties and Stagecraft in Peking Opera.........193
玖 京剧的表演 IX The Performance of Peking Opera...........................203

孙萍，京剧表演艺术家。女，回族，1961年生于北京。第十届、十一届全国政协委员、政协外事委员会委员、国家京剧院著名演员、著名京剧教育机构富连成社社长叶春善传人，并兼任中国人民大学国剧研究中心执行主任、北京外国语大学艺术研究院院长、北京外国语大学公共外交研究中心执行主任、匈牙利裴多菲大剧院特邀导演、美国耶鲁大学戏剧学院客座教授、宾夕法尼亚大学音乐系客座教授、中美文化交流学会会员、中法文化交流协会会员，还曾长期担任全国青联常委。